Mudras are positions of the hands or other parts of the body used in traditional yoga practice. Some accompany seated meditation; others belong to breathing, gaze or more advanced practices. This guide starts with the hand mudras used for seated meditation, then covers gaze, body and advanced mudras.
Swami Satyananda Saraswati, in Yoga and Kriya (Bihar School of Yoga), defines mudras as special positions of the body or of parts of it. He says they often involve bandhas and breathing, and turn awareness inward. This guide describes what that source says, and it does not present the traditional explanations as medical benefits. It sits beside our yoga poses.
A mudra is not always a hand gesture. The book also describes gaze, tongue and body practices as mudras. It says there are hundreds of hand mudras and teaches only a few.
Bandhas are different: the book describes them as physical locks. Some advanced practices combine them with mudras and breathing.
Jnana mudra (also written Gyan mudra) and Chin mudra use the same finger arrangement. The index finger folds to the root of the thumb, or touches its tip, and the other three fingers stay extended. The difference is the palm: Jnana places the palms down on the knees, and Chin turns them upwards. The book uses them as hand positions for sitting, for example in Lotus Pose and other seats such as Easy Pose. If you would like to try seated practice, ask about our meditation classes in Kolathur.
The index finger folds to the root of the thumb, or touches its tip, while the other three fingers stay extended and the palms face down on the knees. The book calls it an attitude of intuitive knowledge.
Meditation hands, used with Lotus Pose and other seatsThe same finger shape as Jnana mudra, with the palms turned up instead of down.
Meditation handsThe source describes five more hand positions that go with seated meditation. They are listed here for information.
The thumb and index finger meet as in Jnana mudra, while the other three fingers fold into the palm.
Meditation handsOne hand rests on the other in the lap. It is named for the fierce form of Shiva.
Meditation handsThe conch mudra: the hands are arranged to suggest a conch shell and the inner sound it evokes.
Meditation hands, alongside sound (nada) practiceThe mudra of voidness. The book explains shoonya as totality, not as nothingness.
Meditation handsA mudra with interlaced fingers, called the supreme source mudra.
MeditationNasagra mudra is the hand position used to guide the breath in alternate nostril breathing. It is not a meditation hand position. See Anulom Vilom for how it fits into the practice.
Keep it distinct from the gaze practice of looking at the nose tip. The names sound similar, but that practice is agochari mudra, listed with the gaze mudras below.
The fingers of one hand control the nostrils: the index and middle fingertips rest at the eyebrow centre, the thumb closes the right nostril and the ring finger closes the left.
Alternate-nostril breathing (nadi shodhana)The remaining mudras in the book involve gaze, the tongue, the muscles of the pelvic floor, inverted or folded positions, or breath and awareness practices taught inside kriya yoga. They are described here for information, not as instructions.
The tongue is rolled back to touch the upper palate. The book pairs it with ujjayi breathing and kriya yoga.
Advanced: breathing and kriya yogaA steady gaze at the tip of the nose. This is a gaze practice, different from the hand-controlled Nasagra mudra above.
Gaze: concentration (trataka) and kriya yogaA steady gaze at the eyebrow centre.
Gaze: concentration (trataka) and kriya yogaThe gaze rests on the tip of the little finger, held out in front of you. The book notes that it can be used in daily life.
Gaze: concentration (trataka)A rhythmic contraction of the muscles around the anus and perineum, called the horse gesture. The book presents it as preparation for moola bandha.
Body: preparation for a lock (bandha)A forward bend from a seated lotus-based position with the hands clasped behind the back, called the psychic union pose. It is practised as a posture as well as a mudra.
Body: posture also practised as a mudraA variation of Plow Pose in which the legs fold and the neck stretches.
Body: posture variationAn inverted position with the hips supported on the hands and the legs vertical, called the inverted psychic attitude. It is the first kriya in the book.
Body: inversion, within kriya yogaThe great psychic attitude, a seated practice that combines moola bandha with gaze.
Advanced: kriya 6The great piercing attitude, combining gaze with uddiyana and moola rotation.
Advanced: kriya 7The frog attitude: nose-tip gazing while seated in bhadrasana.
Gaze: kriya 8Closing the nine gates, a practice of withdrawing the senses.
Advanced: kriya 10, the first concentration kriyaThe conduction of prana, a practice combining breath and awareness.
Advanced: kriya 11The twelfth kriya in the book is also called Shambhavi, meaning Parvati's lotus, after a name for energy. It is described separately from the Shambhavi gaze above.
Advanced: kriya 12Quaffing the nectar, a symbolic practice.
Advanced: kriya 13The crow's beak: breathing in through pursed lips. The book files it under pranayama because it resembles sheetali, a cooling breath.
Breathing practice (cooling pranayama)Simple hand placement, such as resting your hands on your knees in Jnana or Chin mudra, is very different from practices that involve gaze, inversions, held breath or locks. The advanced ones belong with a qualified teacher, not a web page.
Maha bandha is a bandha, not a mudra, so it is not in the list above. It brings together three locks (uddiyana, jalandhara and moola). In the book it appears alongside the held-breath stages of Kapalbhati and alternate nostril breathing, and in kriya practice. It is advanced.
If you have a health condition, are pregnant or have a neck problem, check with your doctor before trying any inverted, breath-holding or lock-based practice. Our pranayama guide lists who should take care with breathing practice.
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