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Mudras: Hand Gestures and Their Place in Yoga

Mudras are positions of the hands or other parts of the body used in traditional yoga practice. Some accompany seated meditation; others belong to breathing, gaze or more advanced practices. This guide starts with the hand mudras used for seated meditation, then covers gaze, body and advanced mudras.

What is a mudra?

Swami Satyananda Saraswati, in Yoga and Kriya (Bihar School of Yoga), defines mudras as special positions of the body or of parts of it. He says they often involve bandhas and breathing, and turn awareness inward. This guide describes what that source says, and it does not present the traditional explanations as medical benefits. It sits beside our yoga poses.

A mudra is not always a hand gesture. The book also describes gaze, tongue and body practices as mudras. It says there are hundreds of hand mudras and teaches only a few.

Bandhas are different: the book describes them as physical locks. Some advanced practices combine them with mudras and breathing.

Jnana and Chin mudras for seated meditation

Jnana mudra (also written Gyan mudra) and Chin mudra use the same finger arrangement. The index finger folds to the root of the thumb, or touches its tip, and the other three fingers stay extended. The difference is the palm: Jnana places the palms down on the knees, and Chin turns them upwards. The book uses them as hand positions for sitting, for example in Lotus Pose and other seats such as Easy Pose. If you would like to try seated practice, ask about our meditation classes in Kolathur.

Jnana mudra

The index finger folds to the root of the thumb, or touches its tip, while the other three fingers stay extended and the palms face down on the knees. The book calls it an attitude of intuitive knowledge.

Meditation hands, used with Lotus Pose and other seats

Chin mudra

The same finger shape as Jnana mudra, with the palms turned up instead of down.

Meditation hands

Other hand mudras in traditional yoga

The source describes five more hand positions that go with seated meditation. They are listed here for information.

Chinmaya mudra

The thumb and index finger meet as in Jnana mudra, while the other three fingers fold into the palm.

Meditation hands

Bhairava mudra

One hand rests on the other in the lap. It is named for the fierce form of Shiva.

Meditation hands

Shankha mudra

The conch mudra: the hands are arranged to suggest a conch shell and the inner sound it evokes.

Meditation hands, alongside sound (nada) practice

Shoonya mudra

The mudra of voidness. The book explains shoonya as totality, not as nothingness.

Meditation hands

Mahayoni mudra

A mudra with interlaced fingers, called the supreme source mudra.

Meditation

Nasagra mudra and alternate-nostril breathing

Nasagra mudra is the hand position used to guide the breath in alternate nostril breathing. It is not a meditation hand position. See Anulom Vilom for how it fits into the practice.

Keep it distinct from the gaze practice of looking at the nose tip. The names sound similar, but that practice is agochari mudra, listed with the gaze mudras below.

Nasagra (nasikagra) mudra

The fingers of one hand control the nostrils: the index and middle fingertips rest at the eyebrow centre, the thumb closes the right nostril and the ring finger closes the left.

Alternate-nostril breathing (nadi shodhana)

Gaze, body and advanced mudras

The remaining mudras in the book involve gaze, the tongue, the muscles of the pelvic floor, inverted or folded positions, or breath and awareness practices taught inside kriya yoga. They are described here for information, not as instructions.

Khechari mudra

The tongue is rolled back to touch the upper palate. The book pairs it with ujjayi breathing and kriya yoga.

Advanced: breathing and kriya yoga

Agochari mudra (nasikagra drishti)

A steady gaze at the tip of the nose. This is a gaze practice, different from the hand-controlled Nasagra mudra above.

Gaze: concentration (trataka) and kriya yoga

Shambhavi mudra

A steady gaze at the eyebrow centre.

Gaze: concentration (trataka) and kriya yoga

Bhoochari mudra

The gaze rests on the tip of the little finger, held out in front of you. The book notes that it can be used in daily life.

Gaze: concentration (trataka)

Ashwini mudra

A rhythmic contraction of the muscles around the anus and perineum, called the horse gesture. The book presents it as preparation for moola bandha.

Body: preparation for a lock (bandha)

Yoga mudrasana

A forward bend from a seated lotus-based position with the hands clasped behind the back, called the psychic union pose. It is practised as a posture as well as a mudra.

Body: posture also practised as a mudra

Pashinee mudra

A variation of Plow Pose in which the legs fold and the neck stretches.

Body: posture variation

Vipareeta karani mudra

An inverted position with the hips supported on the hands and the legs vertical, called the inverted psychic attitude. It is the first kriya in the book.

Body: inversion, within kriya yoga

Maha mudra

The great psychic attitude, a seated practice that combines moola bandha with gaze.

Advanced: kriya 6

Maha bheda mudra

The great piercing attitude, combining gaze with uddiyana and moola rotation.

Advanced: kriya 7

Manduki mudra

The frog attitude: nose-tip gazing while seated in bhadrasana.

Gaze: kriya 8

Naumukhi mudra

Closing the nine gates, a practice of withdrawing the senses.

Advanced: kriya 10, the first concentration kriya

Shakti chalini

The conduction of prana, a practice combining breath and awareness.

Advanced: kriya 11

Shambhavi (kriya 12)

The twelfth kriya in the book is also called Shambhavi, meaning Parvati's lotus, after a name for energy. It is described separately from the Shambhavi gaze above.

Advanced: kriya 12

Amrit pan

Quaffing the nectar, a symbolic practice.

Advanced: kriya 13

Kaki mudra

The crow's beak: breathing in through pursed lips. The book files it under pranayama because it resembles sheetali, a cooling breath.

Breathing practice (cooling pranayama)

How to approach mudra practice

Simple hand placement, such as resting your hands on your knees in Jnana or Chin mudra, is very different from practices that involve gaze, inversions, held breath or locks. The advanced ones belong with a qualified teacher, not a web page.

Maha bandha is a bandha, not a mudra, so it is not in the list above. It brings together three locks (uddiyana, jalandhara and moola). In the book it appears alongside the held-breath stages of Kapalbhati and alternate nostril breathing, and in kriya practice. It is advanced.

If you have a health condition, are pregnant or have a neck problem, check with your doctor before trying any inverted, breath-holding or lock-based practice. Our pranayama guide lists who should take care with breathing practice.

Questions

Mudras: common questions

What are mudras?
Mudras are positions used in traditional yoga practice. They can involve the hands, gaze or other parts of the body.
Are all mudras hand gestures?
No. The source also describes gaze and body practices, including some that involve advanced breathing or locks.
How do Jnana and Chin mudras differ?
In this source, they use a similar finger arrangement. Jnana places the palms down, while Chin turns them upwards.
Are mudras used during meditation?
Several hand mudras are described alongside seated meditation. Other mudras serve different roles in traditional practice.
What is the difference between a mudra and a bandha?
The book describes bandhas as physical locks. Some advanced practices combine them with mudras and breathing.

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